2024年4月7日发(作者：长安欧诺二手车价格)

Yamaha Pm4000 User Manual - Tb

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ManualsTable Of ContentsSection 1. IntroductionSection 2. Brief Operating Instructions2-1 PM4000 Front

Panel Features2-1 The Standard Monaural Input Module2-7 The Stereo Input Module2-12 The Master

Module (1 - 8)2-17 The Stereo Master Module2-19 The TB (Talkback) Module2-22 The Monitor

Module2-25 The Meter Bridge2-27 PM4000 Rear Panel Features2-34 The PW4000 Power SupplySection

3. Specifications3-1 PM4000 Mixing Console General Specifications3-2 PW4000 Power Supply

Specifications3-3 PM4000 Input Characteristics3-3 PM4000 Output Characteristics3-4 Dimensional

Drawings3-7 Block DiagramsSection 4. Installation Notes4-1 Planning An Installation4-1 Power Mains4-1

Verify The Correct Mains Voltage4-1 Ensure There is a Good Earth Ground4-2 How To Obtain a Safety

Ground When Using a 2-wire Outlet4-3 Improperly Wired AC Outlets: Lifted Grounds4-3 Improperly Wired

AC Outlets: Lifted Neutral4-4 AC Safety Tips4-4 Power Source Integrity4-4 Turn-On Sequencing4-5

Theory of Grounding4-5 Why Is Proper Grounding Important?4-6 Ground Loops4-7 Basic Grounding

Techniques4-8 Balanced Lines and Ground Lift Switches4-9 Audio Connectors and Cables4-10 Types of

Cable To Use4-10 Cable Layout4-10 Balanced versus Unbalanced Wiring4-13 The Pros And Cons of

Input Transformers4-14 Noise And Losses In Low and High Impedance Lines4-15 Direct Boxes4-15

Passive Guitar Direct Box4-17 Active Guitar Direct Box4-17 Configuring Equipment RacksSection 5. Gain

Structure and Levels5-1 Standard Operating Levels5-2 Dynamic Range and Headroom5-2 What Is

Dynamic Range?5-2 The Relationship Between Sound Levels andSignal Levels5-2 A Discussion Of

Headroom5-2 What Happens When The Program SourceHas Wider Dynamics Than The Sound

Equipment?5-4 A General Approach To Setting Levels In a Sound System5-4 How To Select a

Headroom Value andAdjust Levels Accordingly5-6 Gain Overlap And HeadroomSection 6. Optional

Functions6-2 Removing and Installing A Module6-3 Mono Input Direct Out Jack:Pre-Fader or Post-Fader

(switch)Pre-ON or Post-ON Switch (jumper)6-4 Mono Input Aux Sends: Pre Fader & EQ or Pre

Fader/post EQ6-5 Mono Input Cue/Solo Switch: Pre-Fader or Follow MT PRE Switch6-6 Stereo Input

Cue/Solo Switch: Pre-Fader or Follow MT PRE Switch6-7 Mono & Stereo Input Channel MT PRE Switch:

Pre- or Post-ON Switch6-8 Stereo Input Channel Insert In/Out Jacks: Pre-EQ or Post-EQ6-9 Stereo Input

Channel Aux Sends: Pre Fader & EQ or Pre Fader/Post EQ6-10 Stereo Input Channel Aux Sends 1-8:

L+R Blend or Stereo Pairs6-11 Stereo Input Channel Stereo 6.10Aux Sends 1 & 2: L+R Blend or Stereo

Pairs6-12 Stereo Input Channel Feed to Monitor Module ST IN 3 or ST IN 46-13 Phase Switch Function:

Change Polarity of Both L and R inputs, or of L Only6-14 Stereo Input Module: Output Enable Jumpers to

Group, Stereo and Aux Busses6-15 Master Module: Group-to-Matrix Assigned Pre or Post Group Master

Fader6-16 Stereo Master to Matrix ST Bus: Pre or Post ST Master Fader6-17 Installation of Optional

Input Transformers6-18 Hints on Circuitry For Remote Control of the VCA Masters and Mute

GroupsSection 7. Operating Notes and Hints7-1 Console Gain Structure7-l What Is The Proper Gain

Structure?7-1 What Affects Gain Structure?7-1 Establishing The Correct Input Channel Settings7-2

Establishing The Correct Group Master Settings7-2 Establishing The Correct Aux Send Master

Settings7-2 Establishing The Correct Mix Matrix Settings7-3 Establishing The Correct Aux Return

Settings7-3 How VCA Control Affects Gain Structure7-4 Channel Muting and Gain Structure7-4 Further

Hints & Conceptual Notes7-4 What Is a VCA, and Why Is It Used?7-4 The Distinction Between The

Group Busses and The VCA Master Groups7-7 Using The Channel Insert In Jack as a Line Input7-7

Understanding and Using The Mix Matrix7-9 The Mix Matrix In General Sound Reinforcement7-9 Using

The Matrix Sub Inputs For Effects7-9 Other Uses For The Matrix Sub Inputs7-10 Use of the Matrix to

Pre-Mix Scenes7-10 Understanding and Use of The Master Mute Function7-12 Stereo Panning To the

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